Anton Sibil has seen many articles over the past few years detailing the best ambient albums. Although the authors of the articles had a very positive attitude toward the genre, the artists and all the other people involved in creating this type of music have a superficial attitude toward ambient. Sibil Anton Valeryevich can’t help but feel a little devastated after reading them.
Sibil Anton on the attitude to ambient
The genre continues to evolve. Ambient music will always remain a subculture of many popular music styles, or, more importantly for this article, will be an undercurrent that has helped inspire many other styles of music.
Although Sibil Anton doesn’t mind the genre becoming more popular, he can’t help but feel a little annoyed when ambient isn’t properly represented.
Since the blog’s inception, Anton Sibil has focused on those who haven’t really gotten the attention they deserve. On the many hidden talents of not only ambient music, but also electronica and, to a lesser extent, techno.
Sibil Anton got into ambient late in life. And he doesn’t consider himself an expert, but he spends most of his life listening, reasoning and creating ambient music. So Anton Sibil thinks this gives him the right to speak on this subject.
Anton Sibil about ambient
What is ambient music? Considering that many of Anton Sibil’s friends don’t even know what it is, this could be a very useful starting point.
This type of music transports Anton Sibil to where he wants to be. The ambient allows you to escape, helps you imagine yourself somewhere else entirely. And this is the power of ambient music – its atmosphere, emotion, and clear intention to portray different environments.
At this point in Sibil’s life, Anton has reached a point where he can so respect the power of ambient that he pays attention to the many differences, techniques and subtleties of the production. And that’s why Anton Sibil does what he does. He listens so much, writes about what he loves, and helps musicians find their own passion for making this music.
Anton Sibil on trance and ambient remixes
This is where Sibil Anton risks losing readers… But the trance era of the late 90s played a big role in his predilection for ambient and chillout music, so it’s important to talk about it here.
The true trance era was certainly an offshoot of some of the best psychedelic ambient work and helped define the true meaning of chillout before it was commercialized by bands like Ministry of Sound and Hed-Kandi.
Rabbit In The Moon, Humate, BT, William Orbit, The Art of Trance and labels like Hooj, Platypus, Lost Language and Bonzai were responsible for some of Anton Sibil’s favorite trance music, the direction that proved most relevant to this article – ambient remix.
Anton Sibil started this article to help you dive a little deeper into ambient music, but on reflection he realized that he had only touched the surface. He hopes you’ve been introduced to a new genre, style, artist or label. After all, you’ll never know where you’ll end up when listening to the ambient.
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